Behind that fragile, otherworldly facade is a complex person of very ambitious reach.''. She spoke at the Byzantine Fresco Chapel, inaugurating the Passionate Voices series, celebrating the 10th anniversary. After being met with increasing resistance by the more traditional Basilian clergy at the University of St. Thomas, in 1969 the de Menils moved the art departmentincluding the art history facultyand Media Center to Rice University, where they founded the Institute for the Arts to manage the exhibition program at Rice Museum. Someone recommended a Surrealist painter named Max Ernst to decorate a wall of their apartment; disliking his proposal, the newlyweds commissioned from him instead a portrait of Dominique. The idea was born, Dominique says, out of her ''shock'' at discovering segregation ''when I arrived in the United States, and wondering why, when great artists have seen blacks as beautiful, dignified, noble, they were not considered so here.''. Today, while Dominique still administers the Institute for the Arts, and contributes to such programs as fellowships for graduate students in art history, the de Menil presence there has shrunk considerably. menil? [7], The de Menils were particularly interested in modern European art, and a core strength of the collection was the many Cubist, Surrealist, and other Modernist works they acquired. Collectively, they have disbursed tens of millions of dollars for purchases, commissions and general support of art - contributions, to be sure, that more than occasionally have been attended by an impulse to control. After a substantial inheritance from their Schlumberger grandmother, nothing more would be forthcoming, the children were given to understand. de? The de Menil museum in Houston, with its big main-floor display space and a second floor for open storage of art objects, embodies her vision of a museum as a place of ''beauty and enchantment, even before it's a teaching institution, a place where things can be seen on multiple levels, with a relationship made between the objects and the way they are presented.'' We - my brothers and sisters and I - each have a different focus. Eventually, the de Menils and their entourage became so much a part of the St. Thomas scene that ''it became difficult to operate without stepping on one of their toes,'' says Father Patrick O. Braden, president of the college at the time. After undergoing revisions by several architects, including Philip Johnson, Howard Barnstone, and Eugene Aubry, the non-denominational Rothko Chapel was dedicated on Menil Foundation property in 1971 in a ceremony that included members of various religions. Born 1947 Start a FameChain Trivia Philippa De Menil Family View Philippa De Menil's Family Tree and History, Ancestry and Genealogy Why Not Dedicate Art to King, De Menil Asks City Council., Richard, Paul. The work these artists made changed, or at least questioned, the nature of art: what it. The black under-taker who attended him provided a plain, rope-handled pine coffin, which was transported by Volkswagen van to the de Menils' parish church. A new board was appointed. The platform roof comprises precision-made structural elements of ferrocement and steel, engineered so as to reflect changing light conditions with great sensitivity. Though designed by one of the architects of the flamboyant Pompidou Center in Paris, which wears its plumbing on its facade, it bears no resemblance to that outrageous folly. to find the word you're looking for. Philippa de Menil New York. 1576-1584 - Claude d'Anglure, nomme par le cardinal de Vaudmont, vque de Toul et maintenue par le duc de Lorraine, Charles III. Articles in Zest section The Menil Opens.. At the sale, Dominique bought a Barnett Newman and Adelaide picked up her first de Kooning.) For the marriage, Dominique converted to John's Catholicism, a move that at first shocked her clannish family. ''If only my father could see him now,'' his sister Adelaide has remarked proudly. Until very recently, Christophe also had a sizable house in East Hampton, but it burned down during Hurricane Gloria last fall. Says Philip Johnson, who met Dominique and John when they were ''still living in a tract house'' in Houston, ''They were unpretentious, yet arrogant enough. (One takes off one's shoes on entering.) The founders of the Dia Art Foundation have filed suit to stop the foundation from selling artworks in Dia's collection. [1] After Jermayne MacAgy's death in 1964, de Menil took over her classes and became the chairperson of the art department at the University of St. Thomas, curating several exhibitions over the next few years. [31] The result was a museum that appeared "small on the outside, butas big as possible inside". As a result, Georges's wife Lois has been appointed to Dia's reconstituted board, and Heiner has resigned. Dominique, who earned a degree in mathematics at the University of Paris, was the product of a cultivated family that had, in the late 19th century, built a textile fortune. Following Ozak's death, the tariqa was split into the Nur Ashki Jerrahi Sufi Order and the Jerrahi Order of America, with the former reflecting a more "universalistic" orientation, and the latter a more . She says now that she never imagined their acquisitions would someday fill a museum. It is named for the late Abstract Expressionist painter Mark Rothko, whom the de Menils commissioned to do 14 dark, meditative paintings that are the only adornment of the octagonal building. Kahn did produce some preliminary drawings, but the project was suspended in 1973 after John de Menil's and Kahn's deaths less than a year apart. ''For instance, there was a big purple and yellow canvas by Leger, and I hated to take my friends through the hall where they could see it. When de Menil learned that a group of 13th-century Byzantine frescoes had been stolen from a chapel in Lysi, Cyprus, and cut up by smugglers, she paid the ransom and funded their restoration. Meanwhile, grandiosity and the Schlumberger stock slide have caused the serious foundering of the Dia Foundation, established by Philippa and Heiner Friedrich, to support the ambitious projects of several hand-picked artists. John listened patiently to the telephone tirade and then said, ''Listen, my friend, why don't you come to my house for a drink? Photography became an important component of the collection, which includes works by Eve Arnold, Henri Cartier-Bresson, Danny Lyon, Hans Namuth, and Eve Sonneman. She has now turned her East Side carriage house into a fashion atelier. The Menil Collection's discreet, low-key architecture befits its site in Montrose, a modest, socially mixed residential area of Houston. Says Dominique, ''The idea of the foundation was marvelous, and they've done great things. [32], Dedicated on June 7, 1987, the Menil Collection exhibits objects from John and Dominique de Menil's collection, including selections of African Art, a vast collection of Surrealist pieces, and the work of a number of contemporary American artists such as Jackson Pollock, Barnett Newman, Clyfford Still, Robert Motherwell, Cy Twombly, and Mark Rothko. He did. I'M VERY PROUD OF them,'' Dominique says of the children, ''and gratified that they have John's and my interests. . Believing in art education and - though committed Catholics -religious ecumenism, they saw in St. Thomas, run by the Basilian Fathers, a chance to further the school and their causes. 2003), the world's largest contemporary art museum, located in Beacon, N.Y. A converted factory, it contains unusually large unbroken spaces, ideal for exhibiting the frequently monumental and often minimalist (see minimalism) art and large-scale installations Dia favors. (For their honeymoon, he took Dominique on a bus trip through Morocco.) Congressman Mickey Leland, it was one of the first racially integrated art shows in the United States.[28]. (Once, for instance, he surprised the dance critic Jill Johnston with a round-trip ticket to England, so she could visit her birthplace.) While the city council hemmed and hawed over acceptance of the gift, Newman himself suggested that it be placed at its present site. The stock decline was an element in the recent heavy retrenchment of the Dia Foundation, entirely supported by Philippa de Menil, to the tune of several million dollars a year. Yet these holdings, together with those of the nearby Museum of Fine Arts and the Contemporary Arts Museum, should boost Houston's cultural status to that of a world-class center for the visual arts. Friedrich has exhibited works by Blinky Palermo, Walter De Maria, Donald Judd, La Monte Young, Andy Warhol, Michael Heizer, and Joseph Beuys, among others in his galleries in Germany, but became less interested in short term gallery installations and through Dia began to collect, and support majo Soon, Rice was a beehive of arts activities. As a subscriber, you have 10 gift articles to give each month. (5) Philippa (Anne Caroline Philippa de Mnil) (born June 13, 1947) - A co-founder of the Dia Art Foundation. And several years ago, when they were agitating in Albany for legislation on fishing rights. It was there that the de Menils began their institutional involvement with art. Spurred in part by the lack of a real arts community in Houston,[13] in the 1950s and 1960s the de Menils promoted modern art through exhibitions held at the Contemporary Arts Association (later the Contemporary Arts Museum Houston), such as Max Ernst's first solo exhibition in the United States, and the Museum of Fine Arts, Houston, to which they gave important gifts of art. The most conservative of the children, and the most involved with family tradition, he uses - in France - his title, Baron, bestowed on the de Menil family by Napoleon. Sweeney, the de Menils' man, was eventually dismissed, partly because he questioned the attributions of works the Blaffer family proposed to donate. It is often cited as one of the most significant privately assembled art collections, alongside the Barnes Foundation and the J. Paul Getty Museum. ''We changed the basic political structure of Houston,'' says Hofheinz -now chairman of Tangent Oil and Gas - whose four-year mayoral stint corresponded with Houston's ''go-go'' period of growth. ''It's absolutely crazy what they did,'' says one New York dealer. She badly needed a religion.''. The de Menils' involvement with blacks has not only been on the political level. Philippa and her husband Heiner have made over a former apartment building into a townhouse. ''What I inherited was my mother's craving. Perhaps the closest of the children to her late father, who was an outspoken liberal drawn to minority causes, Adelaide has developed an interest in the lives of the ''bonackers,'' the vanishing tribe of fishermen and their families native to the eastern tip of Long Island. (Brought up a Protestant, she converted to Catholicism to marry John.) Inheritance (oil) 20th-century art Icon Link Plus Icon; Icon Link Plus Icon; Icon Link Plus Icon; Icon Link Plus Icon; Overview Newswire RobbReport Essays and short texts describe the de Menils' collecting; their patronage of modern architecture; their promotion of film as an art form; their struggles . [1] They commissioned Henri Cartier-Bresson to photograph the 1957 American Federation of Arts convention, held in Houston that year, and worked with photographers such as Frederick Baldwin and Wendy Watriss, who went on to establish FotoFest, and Geoff Winningham, who served as head of the photography department at Rice Media Center. The building, primly sheathed in what one Houstonian calls ''Protestant gray clapboard'' (probably a first for a museum in this country), has on the ground floor exhibition spaces set in a landscaped garden. As modernists, they recognized the profound formal and spiritual connections between contemporary works of art and the arts of ancient and indigenous cultures, broadening their collection to include works from classical Mediterranean and Byzantine cultures, as well as objects from Africa, Oceania, and the Pacific Northwest. They maintained residences in New York and France but settled in Houston, where John would eventually become president of Schlumberger Overseas (Middle and Far East) and Schlumberger Surenco (Latin America), two branches of the Houston-based oilfield services corporation. philippa de menilare there really purple owls. Initially the stated aim as written in its first report was to "plan, realise and maintain public projects of artists. The foundation's extravagant expenditures have necessitated a family rescue effort. ''It was very grand and typically him,'' says Adelaide. ''We even borrowed money to buy art. ''Dominque said, 'I'll take it,' and she bundled herself in a tacky fur coat and went trudging through the rain, arriving at Levi-Strauss's looking like a drowned rat. She also established the scar Romero Award, named after the slain El Salvadoran bishop. When they arrived there from Paris in the early 1940's, they were not yet as wealthy as they would become, but they were almost too interesting. tion in 1974, run by Philippa de Menil, Heiner Friedrich and Helen Winkler. Not helpful? As it turned out, her parents, thanks to their holdings in Schlumberger, the giant multinational oil-field services company, were en route to developing one of the world's largest private art collections, noted today for its examples of Cubism, Surrealism, African sculpture, Mediterranean antiquities and contemporary works. ''Dominique and John were entirely separate people who worked not so much together but in parallel ways,'' suggests Fred Hofheinz. Philippa de Menil New York. They were the first Americans to influence Europeans. Eventually - despite their contributions of time and art - their ambitious projects brought them into conflict with budget-minded trustees. But as a friend notes, ''She is maybe not so much a collector as a catalyst who makes things happen.'' (Such involvements were not confined to Houston, however; among other affiliations, John was a trustee of the Museum of Modern Art and the Museum of Primitive Art in New York.) Ibish, Yusuf, and Peter Lamborn Wilson, eds. Like the other children, he realizes fully that his parents are a difficult act to follow. "Les divers procds du film parlant". [12] The de Menils filled their home with art and hosted many of the leading artists, scientists, civil rights activists, and intellectuals of the day. ''At Marseilles, Mother wrapped us in our loden coats to conceal our spots, so the authorities wouldn't detain us.'' Schlumberger is still the global leader in well logging, and has expanded over the years into the manufacture of electric and gas meters, transformers, microcircuits, instruments and test systems for aerospace and other industries. Fariha Friedrichwhich is the name Philippa de Menil assumed after she and Heiner Friedrich embraced Sufi Islam and married in 1979was talking about the beginning of their foundation. ''Yet I admire them, and I don't want to belittle their achievements.'' [34] The frescoesa dome with Christ Pantokrator and an apse depicting the Virgin Mary Panayiawere installed in a reliquary-like space interior where they were displayed until March 2012, at which time they were returned to the Church of Cyprus. Most of the land and houses within a six-block radius, quietly assembled by John, are under de Menil ownership. For years, she has quietly but wholeheartedly backed the work of such performance artists, dancers and musicians as Robert Whitman, La Monte Young, Robert Wilson, Twyla Tharp, Philip Glass, Trisha Brown and Terry Riley. Plans to create a museum to house and exhibit John and Dominique de Menil's collection began as early as 1972 when they asked the architect Louis I. Kahn to design a museum campus on Menil Foundation property in the Montrose neighborhood of Houston near the Rothko Chapel. De Menil, who lived in Houston until she was 12 and was raised Catholic, has been a practicing Muslim for more than 30 years, and is now known as Sheikha Fariha al-Jerrahi, having been officially . Indeed, shuttling among residences in Houston, New York and Paris, Dominique has a heavy agenda. Since its 1980 high of 87 1/8 a share, the Schlumberger stock has slipped to its present $30 or so, due in part to the sluggish oil market. she subsidized a lobbying effort on their behalf. '', Because Dominique saw ''collecting'' as pretentious, she was reluctant until recently to use the term. "I dreamed of preserving some of the intimacy I had enjoyed with works of art," she wrote. Later, attending classes at night, he got a degree from the University of Paris, adding other degrees in political science and law before taking his compulsory army service in the Rif Mountains of Morocco during some tribal wars - and falling in love for life with Africa. A big show of the family's art collections was held at the Grand Palais in Paris two years ago. And she was surrounded by accomplished relatives. ''If it hadn't been for them, we wouldn't be here,'' says Father Frank H. Bredeweg, now president of the college. Designed by Renzo Piano, the permanent gallery echoes some of the architectural features of the Menil Collection, such as the use of diffused natural light, while retaining its own, separate identity. ''Each branch of the Schlumberger clan has a wing,'' Christophe explains. In 1986, de Menil deepened her involvement in social causes, establishing the Carter-Menil Human Rights Foundation with former president Jimmy Carter to "promote the protection of human rights throughout the world". She said. The children and their mother also occasionally drop in on Val-Richer, the vast estate in Normandy passed down by Schlumberger ancestors. In 1983, the foundation listed assets of approximately $30 million in art and real estate. When their children were still young, and Schlumberger shares were worth comparatively little, John and Dominique de Menil decided they would put half of their holdings in trust funds for each of their five children. ''She had a passion for art, and in later years she did buy it, but she gave it to her grandchildren - small things, a little Klee, a little Picasso, a little Rouault,'' says Dominique. Described by another friend as a ''warm, impulsive, kind person who is something of a mark,'' Christophe, in designing costumes for Wilson's theater pieces, discovered a talent for inventing clothes, and has recently set up as a couturier. There was a moral obligation to get involved with their involvements. Fariha de Menil Friedrich discussed the main principles of Sufism, how it can be a friend and a helper in the contemporary puzzle of conflicting visions and religious doctrines and reflected on how her early life in Houston influenced her spiritual search. They have also come to the aid of liberal-left politicians and Islamic religious groups, avant-garde music and counterculture films, archeological digs and art education, Long Island fishermen and anti-Vietnam activists. In 1960 they launched the ambitious scholarly research project "The Image of the Black in Western Art," directed by art historian Ladislas Bugner. Byzantine Fresco Chapel, Passionate Voices: Unveiling of Love, The [lecture by Fariha de Menil Friedrich], 2007-03-24, 2007-08-07, Eine multikulturelle Familie macht Kulturpolitik, 1997-10-02, Magnificent milestone: The Menil turns 20, 2007-06-03, Menils Everyday People captures human detail, 2007-04-12. Dominique gracefully dismisses the criticisms of the building - planned by her and John since the early 1970's - primarily voiced by Christophe and Adelaide, who wanted a designer of more weight than Renzo Piano. A former film maker, short-time magazine publisher, pilot and hell-raiser who never finished college, Fran,cois - who has his father's baby face - is now a hard-working architectural student at The Cooper Union. ''He reminds me of my father,'' she says, ''with his strong idealism and willingness to undertake certain things that others wouldn't. '', See the article in its original context from. THE COUPLE'S MOST INTENSE Houston involvement was with St. Thomas University, a small Catholic college. There are some who think they're crazy. Since its inception, the chapel has witnessed all manner of events, from high-minded colloquia to weddings, bar mitzvahs, a Sufi ceremony by whirling dervishes from Turkey, a reception for the Dalai Lama and avant-garde concerts. John liked to gather the interesting, the creative and -by Houston's standards - the outrageous around him: black activists, artists, poets, renegades of every sort. De Maria had traveled to Santa Barbara for his mother's 100th birthday in early June; however, he went on to . Philippa - called ''Phip'' by intimates - the mother of two, is probably the closest heir to her mother's ''spirituality,'' and has her good looks and unpretentious manner. But one family member suggests that the figure ''could easily be twice that amount.'' And then, you can move in and we can move out.' He later realized who had delivered the manuscript and wrote her a note.'' It will house the more than 10,000 objects acquired by the couple. Philippa - called ''Phip'' by intimates - the mother of two, is probably the closest heir to her mother's ''spirituality,'' and has her good looks and unpretentious manner. Inevitably, John's impulse to control brought him into conflict with other trustees, notably John Blaffer, son of a powerful Houston family. ''The funny thing is, how it came out in me after my parents' collecting,'' says Philippa, a fresh-faced blonde who has her mother's unpretentious manner and good looks. They began to concentrate on the more established Museum of Fine Arts. ''Things just happen to me.'' ''', Dominique's craving found expression during the couple's frequent visits to New York in the 40's and 50's, where they met Father Marie-Alain Couturier, a French Dominican priest who spent the war years there. ''Not only were they considered radical, but really different. And Adelaide herself now has a home or two not like everyone else's, in which the art is at least as ''weird'' as that owned by her parents. In an effort to provide a strong art history curriculum in Houston for students and adults, they founded the art department at the University of St. Thomas in 1959, inviting Jermayne MacAgy to teach courses and curate exhibitions held at Jones Hall. ''Before that it was the old Bourbon alliance, blue-collar whites and white-collar businessmen. But, he says, ''I was fortunate to be exposed to their interest in art as part of the natural fabric of life. [18] The de Menils supported Rice University astrophysics professor Donald D. Clayton for a two-week residence in Rome in JuneJuly 1970 for daily work with Rossellini,[19][20] conceiving a film about cosmology that did not advance to filming but that was published in 1975 as a personal memoir of a life discovering the universe. An ongoing project that seeks to catalogue and study the depiction of individuals of African descent in Western art, it is now under the aegis of Harvard University. And in a place where modern art was still regarded with suspicion, these ''pioneer cultural wildcatters,'' as one Houstonian calls them, established one of the world's outstanding collections, mounted shows and gave works to institutions - adding insult to injury by bringing the artists themselves to town. Notes, `` the idea of the first racially integrated art shows the. 10 gift articles to give each month Hampton, but it burned down during Hurricane Gloria fall! Were entirely separate people who worked not so much a collector as a result, Georges 's wife has., Heiner Friedrich and Helen Winkler land and houses within a six-block,! His sister Adelaide has remarked proudly he realizes fully that his parents are a difficult act to.! Art shows in the United States. [ 28 ] congressman Mickey Leland, it was of... 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